Taking what's inside out: Interview with Susan Bradley, creator of Outdoor Wallpaper
At first I was
concerned by the serious expression Susan Bradley was wearing when I shook her
hand at the Hidden Art stand in April. But
as we began the interview, she immediately revealed how delightfully easy she
is to talk to with, from football (soccer) to dogs. Intelligent and insightful, composed and
kind, during her interview Susan shared where she’s been and where she’s
going. Clear in her vision and approach
to design, she’s definitely not a one-hit wonder.
“Find something
you’re good at, and stick with it,” was more or less the message Susan
Bradley’s father gave her. Had she stuck
with her abilities and interests in the natural sciences, who knows when or
even if someone would have developed Outdoor
WallpaperTM? Outdoor WallpaperTM is
Susan’s design which has been on the pages of interior design magazines across
the world, and which has gained her a tiny little slot as a trendsetter for
2007 for some trend analysts. It’s what
has catapulted Susan Bradley to headliner, and more importantly, trendsetter
status, just one and a half years after graduating with her second University
degree.
Susan did her
A-levels in geography, biology, and chemistry.
Because she was good at it, and because, as she explained, that’s the way
the British school system works (generally you continue at University in what
you’ve tackled for A-levels), she went on to complete a degree in geography. From there, the most probable path for her
would have been in environmental management, or teaching. Instead she went on to do exhibition
management in IT, and then into web design as a project manager for a web
design agency. The more she worked with
web design, the more she realized she liked ‘creating’. As her satisfaction with the creative side of
web design grew, she knew it was something she wanted to explore on a more
formal level for her own personal enrichment and applied to a different medium. At 26, she enrolled in a three-year
Bachelor’s degree program in Furniture Design at the London Metropolitan University.
As part of her
studies, she developed Outdoor WallpaperTM. The idea, she said, grew out of the urban
reality of domestic outdoor spaces, no matter what size, which are frequently
unused because they are overlooked. The
fact that they are overlooked, Susan reasoned, makes them “public” spaces. She thought it might be nice to offer a
product which could render these spaces attractive to onlookers and to the
owners as well, but with a function, not just another pretty accessory. Outdoor
WallpaperTM is a laser-cut design made of a range of materials,
and sold in individual panels, with no minimum order—you can buy one small
square or twenty. It can function as a
trellis or simply a decorative element both indoors and out.
Although Susan
has also created other products, like the Creep
table, the Dressing Up Mirror, or Mirror, Mirror side tables, concept and
design behind the Outdoor WallpaperTM
best capture her creative and applied capabilities and also hint at her professional
trajectory. Her sense of humor and
personality are perhaps better reflected by the new Drip shelf and Puddle tables
she presented during Salone Satellite as part of the Hidden Art Milano
collective. At first, I thought the
‘drip’, which runs down the side of the shelf represented melted candle wax. I made a joke with Susan about it looking
like blood, and she smiled and confirmed it is in fact blood! “Everything I’d done until now was really
feminine and floral. I wanted something
more ‘sinister’, gorier. I even wanted
to leave a toy dagger on the shelf, but thought that may be going too far.” The shelf is available in a range of colors –
Oil, Blood, and Milk! Susan also
presented a new pattern for her Outdoor WallpaperTM
called ‘Vine’ which fits into the 2006-7 design season’s “graphic
design” styles. Its multiple termination
points allow the user more flexibility in placing it in a décor as a motif, or
even just a border.
Susan’s experience
in marketing prior to going back to school for design has helped her to be certain
that designing is what she wants to do.
During her studies, as she saw other students grapple with the business
and marketing side of the design process, she also realized that her
professional experience put her a little ahead of the others in that
respect. She feels on top of most
aspects of being a designer, including the difficult marketing aspect, but
admits she would still like to have a little help with the day-to-day
administrative tasks that take away so much time from the creative process of
designing.
Notwithstanding
her success with Outdoor WallpaperTM (Elle Decoration features her work this month (May 2006) and named her a British
talent to watch) Susan has enrolled in a Master’s program and divides her time
between being a designer and being a student.
Her focus for her Master’s is “What furniture can learn from clothing”,
in other words, which techniques that are applied to clothing can also be
applied to furniture. There’s something
in the way she explains her fascination with the topic and the twinkle in her
eye that lets on that she’s got something really grand up her sleeve, but she’s
not ready to share it just yet. So where
else is she going? Over the coming
months, she and her partner are moving a little outside of London in order to get
a dog and have more space for both of them to work (he’s a prototype
maker).
I was sold on
Susan’s work at imm-Cologne, and my respect for abilities as a designer grew
even more just after speaking with her for 15 minutes. But after hearing how much she likes dogs
(and even though she’s a Newcastle supporter, she knew that Rio Ferdinand used to play for Leeds), I’m also sold on Susan
the person.
Susan Bradley design philosophy: What you want each person who sees/purchases
one of your creations to know about you, the story they will tell to their
friends who see the object?
I combine the familiar with new ideas and technology
to create original products relevant for today. I trained in Furniture Design but my work
spans interior and exterior products and accessories, textiles as well as
furniture. I love this diversity and experimenting with different materials and
techniques. My designs
tend to have an immediate visual impact - but also make you think a little bit
and be slightly quirky. For example wallpaper for outside? Stiletto heels as
coat hooks? Cosies for technology?
There’s always a real function though.
How did
the idea of Outdoor Wallpaper come to you?
What’s the genesis of the idea?
I became
interested in designs for outdoor spaces in 2004. I was looking at domestic
outdoor spaces and how, especially in urban areas, these can feel quite public
and exposed. I wanted to bring something familiar and ‘homely’ to these spaces
to make them feel more welcoming and comfortable. That’s where the idea for
Outdoor WallpaperTM came from - taking something so iconic from
indoors and reinterpreting it for outdoor spaces. I also like the idea of
finding something unexpected - wallpaper - in an outside space. I really like
the way the piece combines traditional wallpaper designs with cutting-edge
technology, to create an entirely new concept. I have a
number of designs I make to order in the material, size and colour the
customers chooses, offering a bespoke service. I also work to commission on
unique designs for private individuals and commercial companies.
Outdoor
Wallpaper TM can be used in outdoor spaces of any sizes and is ideal
for the smallest balcony or roof terrace. It provides an immediate impact and
required no watering or pruning, and won’t wither through neglect - perfect for
people who want an instant garden with minimal effort! Because the wallpaper
panels are fixed a small distance off the wall, wonderful shadows are created
and plants can trail up and around the pieces, integrating the designs will
nature. Or you can simply let the Outdoor WallpaperTM be a striking
decorative statement. It's ideal in areas
where plants are hard to grow - many people have used it on walls directly
outside windows in basement flats - to create an instantly improved view.
Any
designers or mentors who have shaped you/your ideas?
I am a great fan of the work of Hella Jongerius. Her
Polder sofa for Vitra has stunning detailing, and her new lights (also for
Vitra) with terracotta and felt based are beautiful. I think it’s her attention
to small details, like the buttons on the Polder sofa, that I really love and
her use of unexpected materials in really strong.
What are
you working on now? What would you like
to work on? What’s next?
Currently I am looking at clothing’s relationship to
products and furniture – its where my White Stiletto Hooks and Dressing Up
Mirror were developed from. I’m designing some lighting and shelving, and doing
lots of experimenting so we’ll see what other fruits it bears! The designs
should be ready by the end of the year.
Other than that I am working on my plans for 100%
Design in September in London and on
various commissioned pieces.
What food/dessert best describes your design
style? How has it changed over the past
three years? What would you like it to
be in five years?
Much of my
work is made to order, allowing the customer a choice of material, size,
finish, colour etc so perhaps a personal chef who creates a meal specifically
for you would be an appropriate analogy. In the future I’d like to combine this
with more retail/off the shelf pieces – a set menu in effect.
The first thing you notice in a restaurant?
The
atmosphere, simply how it feels when you walk in. Lighting and music are
particularly important. And obviously the (hopefully) wonderful aromas too.
Eating what food brings back the best memories?
My Grandmas homemade apple pie, it reminds me of Christmas
morning – as a treat I was allowed it for breakfast!
If money were no object, you’d buy what for
your home?
I love chairs, so I’d have lots of original designs – work
by Prouvé, Panton, Jacobsen and a La Chaise by Eames.
Last piece of art you placed in your home?
The last piece of art I bought was a large piece of Marimekko fabric, which I
had put onto a wooden frame as a wall hanging. Wallpaper panels from 1metre high x 60cms wide.
Company/place/institution you’d love to leave
your mark on.
I’d love to ‘Outdoor Wallpaper’ a well-known building, even
as only a temporary installation – perhaps the Tate Modern, or the clean white
walls of London’s Design Museum. Large scale commissions are something I really
would love to move into more.
Place you go for design inspiration?
Getting out
of the city and away from anything overtly ‘designed’, allowing you to clear
your mind and back to nature I guess. In particular I love Cornwall, the wonderful landscape and
especially the sea – heavenly.
Magazine you can’t live without.
I enjoy reading the magazines in the newspapers at the
weekend, The Guardian on a Saturday and then The Sunday Times Style magazine,
ideally with good coffee and a highly calorific pasty or cake! I also love
graphics magazines and adore Magma bookshop in London – I could loose whole
days in there.
Celebrity you’re inexplicably intrigued by.
This question is WAY too hard!! Male scottish actors, anyone from Ewan McGregor to Sean Connery - its all in the
accent.
You’re most proud of your collection of…
I don’t
collect anything in particular, I just collect things I like whatever they
happen to be – I tend to be most proud of resisting rather than buying! I do
love second hand shops and markets, and also buying work by individual
designer-makers direct from their studio, there’s some great places in London like Cockpit Arts and Clerkenwell
Green Association, you can even get pieces made specifically for you to make
them extra special.
Look for Susan's work at the Chelsea Flower Show next week in London (23-27 May) and at 100% Design in September.
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